Friday, February 01, 2008

Ray Bradbury's circa 1950 Parody of HP Lovecraft


I have spent weeks tracking this down and it just arrived. {Lovecraft research can be tiring and expensive}. As far as I can tell, no one has mentioned this in decades. I suppose it's forgotten? If not, I can find little mention of it on the internet.

Here are the few snippets I did find, and ONLY after I had the full story, "Exiles" in my hands to know what to google.

Ray Bradbury board: Greetings, all!I have a question regarding one of my favorite Bradbury short stories, "The Exiles".Some years ago, I happened across an anthology of short stories which had all been edited by Anthony Boucher (IIRC). One of them was "The Exiles". The odd part was, this version of the story included a paragraph in which the two main characters (Poe and Bierce?), on their way through the castle, visit Lovecraft as he sits eating ice cream before a raging fire.This was odd because in every subsequent anthologized version of this story, that paragraph is omitted. Given Bradbury's famous resistance to having well-meaning but ultimately misguided editors deleting things from his work, my suspicion is that this paragraph was added _at the request of_ the editor - Boucher, in this case - and removed later, when Bradbury regained control over the text.Fond as I am of Lovecraft, and amusing as the paragraph was, I think the story works better without it.Does anyone know anything more about this (admittedly obscure) detail?Sincerely,Robert Walker-Smith

With the foillow up: Two ways you could find out would be: Look at the original magazine version (from Maclean's (Canada), September 15, 1949) and see if it's there. If you can't acquire a copy, ask a collector who has one to look for you.Check the date of the Boucher anthology vs. the others. Perhaps it was merely a case of a paragraph from the magazine story duplicated in the first anthology in which it appeared, and then being removed--you are correct, probably by Bradbury himself.

And this by Robert Weinburg who devilishly leaves out all details save: Lovecraft appeared in a number of short stories as a character. ... HPL appeared in one of Ray Bradbury's "Martian Chronicles," indulging in one of his (Lovecraft's) favorite pastimes, eating ice cream.
Finally at The Center for Ray Bradbury Studies I found this: 168.23–24 The Weird Shadow Over Innsmouth,] The original Maclean’s printing reads The Horror at Innsmouth, perhaps an unintentional conflation of Lovecraft’s The Horror at Redhook and The Shadow Over Innsmouth. The error was corrected (perhaps by Boucher) to reflect the original 1936 Lovecraft title in the F&SF version of “The Exiles,” but for The Illustrated Man Bradbury revised to The Weird Shadow Over Innsmouth, the title of the 1944 first paperback edition of this Lovecraft work; this reading remains in all subsequent Bradbury collections containing “The Exiles.” Clearly, Bradbury’s final intention for the Lovecraft title surfaced very early on—during the summer of 1950, less than a year after the Maclean’s first printing, he was lightly revising “The Exiles” for The Illustrated Man. Of the two correct forms, The Weird Shadow Over Innsmouth is more reliably Bradbury’s, and is emended into the present edition.
This note will amke a little more sense once you see the context in a future blog post.

As soon as I can get the energy, I'll type in as much as possible without offending Mr. Bradbury's copyrights. It deserves to be discussed, in my humble opinion.

Just as an aside, this 2nd issue of F&SF seemed to be mostly reprints, however nary a word is spoken of 15 September 1949's Macleans. It does speak of a new Ray Bradbury book coming out in Spring, a collection of his many stories up until then about Mars - something called "Martian Chronicles" - and that this WOULD NOT be a part of it.

Elizabeth Bear, "Shoggoths in Bloom"

***edit, see note at end***

On the even of WWII. a black professor is in search of tenure and fame when he goes to the isolated coast of Maine to the annual November shoggoth beachings. The shoggoths surface and lay about in the chill air to ... well know one really knows why or that much about them.

Through a series of progressions, the professor bonds with one part of a shoggoth and learns the incredible truth.

More than that I can't say, but Bear does give us insights to a black man in the 1930's wrestling between the philosophies of W.E.B. duBois and Booker T. Washington *- a debate that continues to be played out whether you're Bill Cosby, Jesse Jackson, or just a man in the street.

Lovecraft is not mentioned at all. Miskatonic University is. She takes a bit of literary license and introduces some anachronisms. Bear takes the shoggoth idea in a new and interesting path which energizes the Mythos. A solid contribution, but perhaps a slightly controversial method to understanding the nature shoggoths.

It's short, so if you don't want to buy March's Asimov's, it's a quick bookstore read.

***
***
Original Message ----From: "georgewagner" Saturday, February 2, 2008

"....a black man in the 1930's wrestling between the philosophies of W.E.B. duBois and Washington Carver - a debate that continues to be played out whether you're Bill Cosby, Jesse Jackson, or just a man in the street."

Pardon, but don't you mean Booker T. Washington rather than Dr. Carver?

***
And I, chagrined, replied:

Indeed, George.

Beard's quote is, "His Ph.D. work at Yale, the first school in America to have awarded a doctorate to a Negro, taught him two things other than natural history. One was that Booker T. Washington was right, and white men were afraid of a smart colored. The other was that W.E.B. DuBois was right, and sometimes people were scared of what was needful."

With watchful eyes such as yours, sir, I shall always be in good hands.

Bless you.

Thanks, Dave Goudsward! Cthuluesque Art

Dave found this and alerted our "Lovecraft & Legacy" Google Group. Always fearful that limks can break here is most of the article reproduced with citation...

The Strange Lovecraftian Statuary of Puerto Vallarta
By John Brownlee February 26, 2007 1:30:30 PM

Reader Preston sent us a wonderful email about the strange Lovecraftian statuary overlooking R'lyeh by the sea of Puerto Vallarta. His email is so enthusiastic it would be a shame to do anything except turn this post entirely over to his delectable ravings...

Preston writes... "Two Christmases ago (2005), my family and I travelled to Puerto Vallarta, Mexico to exchange the gray, wet misery of a Pacific Northwest winter for a polluted, humid and stinky (though warm) two weeks amongst the foolish and idle rich.

PV is actually very nice, by and large, though for whatever reason it did not agree with my constitution. One day I strolled the lengthy beach-front boardwalk (the "Malecón") in an effort to adjust and take in local color. I was pleased with the non-touristy things, mostly disgusted with the tourist-targeted nonsense, and greatly impressed and surprised with the copious amounts of statuary dotted along its length. And then I reached a particular installation, and was simply flabbergasted... Known as "La Rotunda del Mar" ("The Circle of the Sea" in my poor, poor Spanish), this installation by artist Alejandro Colunga features creatures/beings straight out of Innsmouth and Lovecraft's imaginings. Fabulous!

The whimsical sea inspired high back chairs are the work of Guadalajara native Alejandro Colunga. This installation made its debut on the Malecón in 1997. One chair is crowned by an octopus and another by what may be a seahorse. One of the original chairs surrendered to the forces of Hurricane Kenna and was replaced with a stunning replacement that appropriately pays homage to the strength of the sea. Colungna studied various subjects in the university, but he is a self-taught artist. Stop and have a seat on one of the whimsical chairs inspired by the sea. You will often see performance artists in the area and the public enjoying the mystical seating created by "La Rotunda del Mar." Besides the Malecón you can find Colunga's work throughout Mexico, the US, Europe and South America.

citation: http://blog.wired.com/tableofmalcontents/2007/02/the_strange_lov.html
















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