Showing posts with label Sam Moskowitz. Show all posts
Showing posts with label Sam Moskowitz. Show all posts

Saturday, September 26, 2009

FANTASY COMMENTATOR #18



FANTASY COMMENTATOR #18 HANNES BOK COPY LOVECRAFT ISSUE

A Langley Searles, 1948. Binding is paperback. 1st edition. vg+ semi proxine,
One of the premier issues of this fine prozine this devoted to LOVECRAFT has "CLOUDS" by HPL, pictures of Lovecrafts family CLASSIC articles by MOSKOWITZ, ONDERDONK, F. Lee Baldwin. Plus this was Hannes BOK's copy as shown by his impressive stamp on the front cover.(see photo). All in all a fantastic issue.

.
C O N T E N T S
EDITORIAL: ~ This·'n'·-That JA. Langley Sesrles 185

ARTICLES: ` ‘
John Buchan: a Possible Influence on Lovecraft Sam Moskowitz 187
Charon--—in Reverse Matthew H. Onderdonk 193
H.P.L. on Imaginative Fiction Darrell G. Richardson 203
The Immortal Storm (part ll) Sam Moskowitz 207
Some Lovecraft Sidelights F. Lee Baldwin 219

VERSE and PICTORIAL:
Clouds H. P. Lovecraft 190
"Erich Zann Was o Genius of Wild Power" Joseph Krucher 191
Photographs of the Lovecraft-Phillips Family 192

REGULAR FEATURES:
book Reviews:
Serviss’s Edison's Conquest Of Mars Sam Moskowitz 197
Keller's Life Everlasting/ Charles Peter Brady ’
Taine's Forbidden Garden /' Richard Witter 204
Tips on Tales Thyril L. Ladd

Thursday, November 06, 2008

1946 Controversy!

This fanzine may not look spectacular, but inside, Sam Moskowitz (allegedly) panned Derleth's HPL: A Memoir. Thus fandom's controversy on Lovecraft's legend escalates.

Saturday, February 16, 2008

Lovecraft's Personal Life (Esoteric Order of Dagon)


Above is a reproduction of a hand drawn map by Lovecraft's hand. -CP.

The seller of this item states: HOWARD PHILLIPS LOVECRAFT & SEX OR:THE SEX LIFE OF A GENTLEMAN THE OUTSIDER edited by R. Alain Everts

This eight-page paper was prepared for the 2nd mailing of that group of HPL acolytes that call themselves "The Esoteric Order of Dagon" or simply "EOD". Despite some personal rants & raves (isn't that what Fandom is for!?) the editor did indeed present a most noteworthy mailing for the "EOD" here. The two-page headlines discussed by the editor with Sonia Haft Greene Lovecraft Davis during his visits with her, do open a window into HPL's most private life .
I won't spill any of the beans but suffice to say that you will be - if not surprised, at least more informed! In addition the cover depicts HPL's own drawing of his beloved "Providence" and there is another reproduction of HPL's holograph in a letter printed to an amateur regarding voting for the Amateurs, circa 1916.

William Hope Hodgson is present with poetry and a rebuttal of Sam Moskowitz's biographical facts about WHH's life by editor Everts. Additionally there is poetry by another of the California Romantics & a contemporary of Clark Ashton Smith, Nora May French, who took her own life at age twenty-six. A scant eight-page publication but loaded with many many more pages of relevance!

The seller estimates the production of this circular: "does twenty-five copies sound about right for this early paper?"

Tuesday, January 01, 2008

Sam Moskowitz on Cool Air (1967)

COOL AIR By H. P. Lovecraft

ABOUT THE AUTHOR

Even in the most bizarre and far-fetched tales, a little research will usually uncover the fact that at least the begin- nings of the idea were developed from the author's personal experience. H. P. Lovecraft's, Cool Air, which originally appeared in Tales of Magic and Mystery for March, 1928, opens with the lines:

"You ask me to explain why I am afraid of a draught of cool air,- why I shiver more than others upon entering a cold room, and seem nauseated and repelled when the chill of evening creeps through the heat of a mild autumn day."

Friends of Lovecraft recognized those symptoms as belonging to the author. In his early youth he had suffered from a kidney ailment, as well as Bright's disease (also an affliction of those organs) which was eventually to prove a major factor in his death at the age of forty-seven. Since kidney disorders decrease the tolerance to cold in some people, it seems quite logical that for a man suffering from such a condition the term "cool air" would evoke horror.

Lovecraft's detestation of refrigerated air therefore makes a good "jumping-off place" for his story, even though the explanation he gives for it is far more horrifyingly imaginative than the truth.

During the last decade of his life, Lovecraft increasingly tended to employ "an atmosphere of scientific credibility" for his horrors rather than to attribute them to a super- natural agency. The subject matter of this story has only once before been told as effectively without resort to the supernatural and that was when Edgar Allen {sic}Poe wrote The Facts in the Case of M. Vaidemar for the December, 1845, issue of The American Review.

Horror Times Ten, ed. Andre Norton (notes by Sam Moskowitz), Berkely Medallion, 1967, p. 30

Monday, December 31, 2007

Sam Moskowitz on Dreams in the Witch House

Moskowitz, like Forest J Ackerman, had a leading role as historian of the genre. Some of this has passed on to others, but his stature is still strong.

***


Introduction to THE DREAMS IN THE WITCH-HOUSE

H. P. Lovecraft

One of the paradoxes of Lovecrates admirers is the annoyance they have felt when that talented author was referred to as a major science fiction writer as well as a master of the supernatural. Despite the undeniable evidence of The Colour Out of Space, The Whisperer in Darkness, The Shadow Out of Time, to name three major works, they have particularly rankled when shown how much closer to science fiction such masterpieces by him as ne Dunwich Horror, The Call of CthiAhu, The Shunned House and even The Temple were than to the supernatural.

The paradox rests in the strong efforts some of these same people have made to show that The Dreams in the Witch-House is as much science fiction as it is supernatural. They received no small assistance in this effort from H. P. Lovecraft who in the context of the story referred to Einstein's theories, the space-time continuum, "the elements of high atomic weight which chemistry was absolutely powerless to identify." The possibility of stepping from the third into the fourth dimension and back again, extra-dimensional geometry was considered, and finally the statement "the alien curves and spirals of some ethereal vortex which obeyed laws unknown to the physics and mathematics of any conceivable universe," sounded a note of frustration.
The truth way that H. P. Lovecraft did not believe in the supernatural. Never did and never would to the day of his death and felt that many of his readers didn't and attempted to offer the possibility that there was some scientific rather than supernatural explanation for witchcraft to make his stories more convincing.

In this he succeeded, for though The Dreams In The Witch-House cannot be said to be a "forgotten" masterpiece of horror, it is certainly far too infrequently encountered in anthologies of the genre.

Sam Moskowitz

Great Untold Stories of Fantasy and Horror, ed. Andre Norton & Sam Moskowitz, Pyramid, 1969

Friday, December 28, 2007

T Peter Park's recollection of 1958 Fresco Seminar Booklet

I myself ordered a copy of that 1958 HPL issue of FRESCO a long, long time ago, back in 1959 or 1960, after seeing it advertised or reviewed in one of the science-fiction magazines at the time. I know I had it and often referred to it for many years, but I have no idea where it might now be amongst all my old books, papers, and magazines. David H. Keller's "Shadows Over Lovecraft." I remember, was a rather thorough inquiry into HPL's medical history, concluding that HPL probably did not contract hereditary syphilis or paresis from his father, and noting that HPL was finally felled by two real-life demons never mentioned in his stories--cancer and Bright's Disease. Samuel Loveman's "Lovecraft As a Conversationalist," I think, might have described the only time in his life when HPL got slightly tipsy, as a result of somebody at a party surreptitiously slipping some booze into his Coke or iced tea. Loveman's essay, too, I recall, mentioned HPL's Latinate nickname for him, "Samuelus."

{The mention of Bright's disease by Keller clears up a big mystery for me. Sam Moskowitz, in a preface of an anthology, mentioned this and I never knew where the idea came from. - CP}

Wednesday, September 05, 2007

Lovecraft's Legacy: 1948 Fantasy Commentator


The SPRING 1948 issue of the fanzine FANTASY COMMENTATOR (…covering the field of imaginative literature…),

Volume 2 Number 6 Whole Number 18, featuring:
Editorial: This – ‘n’ – That…………….A. Langley SEARLES
Articles: John Buchan: a Possible Influence on Lovecraft…………….Sam MOSKOWITZ

Charon—in Reverse…………….Matthew H. ONDERDONK

H.P.L. on Imaginative Fiction…………….Darrell C. RICHARDSON

The Immortal Storm (part 11) …………….Sam MOSKOWITZ

Some Lovecraft Sidelights…………….F. Lee BALDWIN
Verse and Pictorial: Clouds…………….H. P. LOVECRAFT

“Erich Zann Was a Genius of Wild Power” …………….Joseph KRUCHER

Photographs of the Lovecraft-Phillips Family…………….
Regular Features: Book Reviews: Serviss’s EDISON’S CONQUEST OF MARS…………….Sam MOSKOWITZ


Keller’s LIFE EVERLASTING…………….Charles Peter BRADY

Taine’s FORBIDDEN GARDEN…………….Richard WITTER

Tips on Tales…………….Thyrill L. LADD
Editor and Publisher……………..A. Langley SEARLES

Contributing Editors…………….William H. EVANS, Thyril L. LADD, Sam MOSKOWITZ, Matthew H. ONDERDONK, Darrell C. RICHARDSON, Richard WITTER


A VERY GOOD/NEAR FINE copy, minor wear, light soiling. Stapled. 37 pages.

Saturday, February 17, 2007

Finds At The Used Book Store: 13 February 2007 Part 3

Chripy recently got a wonderful find at Half Price Book Stores: A $2 copy of Great Untold Stories of Fantasy and Horror, Pyramid Books, 1969, 3rd ed. 1970.

Sam Moskowitz says, "One of the paradoxes of Lovecraft;s admirers is the annoyance they have felt when that talented author was referred to as a majot science fiction writer as well as a master of the supernatural.

"... The paradox rests in the strong efforts some of these same people have made to show tha The Dreams in the Witch-House is as much science-fiction as it is supernatural. ... H P Lovecraft ... in the context of the story referred to Einstein's theories, the space-time continuum, "the elements of high atomic weight which chemistry was absolutely powerless to identify. The possibility of stepping from the third to the fourth dimension and back again, extra-dimensional geometry was considered, and finally the statement 'the alien curves and spirals of some ethereal vortex whcih obeyed laws unknown to physics...

"The truth was that H P Lovecraft did not believe in the supernatural. Never did and never would to the day of his death and felt that many of his readers didn't and attempted to offer the possibility that there was some scientific rather than supernatural explanation for witchcraft to make his stories more convincing."

Wednesday, February 14, 2007

Finds At The Used Book Store: 13 February 2007 Part 2

In Great Untold Stories of Fantasy and Horror (1), Sam Moskowitz introduces a story byCount Leigh de Hamng: A Study of Destiny. While this 1897 story is of passing interest as a morality play set in Egypt, there is a close Lovecraft connection.

Moskowitz states, "... In the January 1926 issue of Weird Tales ... Muriel E. Eddy ... commenting on {a story named} Lukundoo by Edward Lucas White which had appeared in the November 1925 issue ... said, 'It calls to my mind a story I read years ago (by a titled Englishman) entitled The Hand of Fate,' {Muriel says, and then Moskowitx continues that she} goes on to give a description of the plot which is close to A Study of Destiny."

Moskowitz - always a keen student of the history of horror - goes on to say that she probably remembered the title of a book titled The Hand of Fate in 1898 and is probably the American edition of this story.

What is interesting for our part is several fold.

1. Despite the concerns scholars have of her 1960's memoir of Lovecraft, in her day she obviously was a student of the genre. Her - and CM Eddy's - credentials as a fan of horror seem in tact and facile.

2. Lovecraft would have met them in 1923 and perceived a family that was interested in the same things as he - though he would have had a higher threshhold of what was horrific.

3. This is one more element of the Eddys being intimately connected to Weird Tales. Baird (or Wright) would immediately noted the letter and published it as insightful, and a bit of a free publicity to fans of the Eddys in Providence.

4. Since this is during Lovecraft's sojourn in New York (November 1925) the Eddys were still explicitly active with Weird Tales independent of HPL. Their controversy from the May, June, July 1924 issues on the Loved Dead would still be fresh in the fans' minds, too.

Lovecraft actually mentions the November issue, and indicates a very intimate knowledge if what is hapening. He says "The Wells tales (2)- so far very mediocre, as I view them - are very early work ... in the 90's {1890's - CP} ... so Wright thought them a good investment {since they were unpublished in the US} ... when Weird Tales London agent brought them to his notice." He mentions the Lukundoo, "The Edward Lucas White tale appears to have been a regular contribution - whether or not through a literary agent I can't say...". (3)

While it seems unlikely Lovecraft and the Eddy's mentioned it to one another but they were obviously in intimate contact ... (4) Lovecraft says, "ever since the Indiana senate took action about poor Eddy's "Loved Dead", he has been in a continual panic about censorship."

Interesting HPL says 'Eddy's Loved Dead', when it was obvious he wrote a good portion of it.

1. 3rd edition 1970, pp.10-11.
2. The Stolen Body was originally in Strand November 1898 and Weird Tales November 1925; and The Valley of Spiders was originally Pearson's magazine March 1903 and Weird Tales December 1925.
3. Letters From New York, p. 242, to Lillian D. Clark on 7 November 1925.
4. Letters From New York, p. 252, to Lillian D Clark on 13 December 1925.

Tuesday, February 13, 2007

Finds At the Used Book Store: 13 February 2007


Always fascinating, used book stores are realms of imagination, history and wonder. For the sum of $2.00, I found a rare copy of the 1969 (October) paperback [This is the 3rd Printing November 1970] Great Untold Stories of Fantasy and Horror. Were paperbacks ever 75 cents?

Moskowitz muct have done a number of these anthologies over the years, mainly eeked out of Weird Tales back issues, it seems.

This one is chock full of side notes. Not to tease, but over the next few days I will discuss these. This is two-fold: so that I am scholarly and include these to advance our work here at the HPLblog, and I really, really do try not to just copy ad hoc or is that en masse? :)

Besides placing little points that you might not otherwise come across in your research, and they are tucked away for my plans of doing future research and essays on HPL.

OK, enough of that. The first thing is right on the copyright page. AS some know, there has been decades of squabbling about Loevcraft's copyrights. In general, it is pretty much understood that Lovecraft has virtually no personal copyrights - that he had signed them all over to family members or the magazines. Since most fan magazines of the 20's and 30's have went to public domain those copies are pretty much up for grabs.

However, Arkham House retains many copyrights on Lovecraft stories becuase of the venue in which they have published, and the work done to clean up the copy of the texts and manuscripts means they indeed have rights. If one publishes the Dead Sea scrolls, they are not copyrighted, but the scholar's work is, and so is the book.

On the page it states, "The Dreams of the WitchHouse by H. P. Lovecraft, copyright 1933 by the Popular Ficion Publishing Company. Copyright renewed 1961 by August Derleth for Arkham. Reprintedby permission of the copyright owners."

There is no doubt that this was a mandatory blurb forced by the controversy over the copyright issue.

Wednesday, February 07, 2007

Lovecraft Legacy: 1945 - 1948




Here are rare images of the Fantasy Commentator, a periodical of Sam Moskowitz & al.


The seller states:


FANTASY COMMENTATOR lot of 10 issues. FANZINE SEARLES, A. Langley (ed.)/ MOSKOWITZ, Sam/ WITTER, RIchard, LOVECRAFT, H.P., RICHARDSON, Darrell C, BALDWIN, F. Lee et. al. A. Langley Searles. Soft cover. Book Condition: Very Good. September 1944 (#3) xerox copy, Winter 1944-45 (#5) xerox copy, Winter 1945-46 (#9) reprinted Nov 1948, 70 copies reprinted and stencils destroyed. Summer 1946 (#11) reprinted December 1948, 75 copies done and stencils destroyed. Fall 1946 (#12) reprinted May 1949: 55 copies done and stencils destroyed. Summer 1947 (#15) original. Fall 1947 (#16) xerox copy. Winter 1948 (#17) Original. Spring 1948 (#18) original. All are stapled. A couple of detached leaves else a VERY GOOD set consitent with the format. Early issues of this long running (55+ YEARS!) fan publication are very uncommon.

Monday, January 22, 2007

Lovecraft's Legacy: 1960

About 23 years after Lovecraft's death, here is a rare, 1960 (Very Fine condition) British Science Fiction Pulp - Science Fantasy # 44 with cover art by Jarr. This issue features all original stories by John Brunner - All the Devils In Hell, John Rackham - The Black Cat`s Paw, Thomas Burnett Swann - The Painter & more. Also featuring a great article [Studies in Science Fiction #9] on H.P.Lovecraft by Sam Moskowitz.


Sunday, January 21, 2007

Henneberger and Houdini: Testimony of Sam Moskowitz Part 1

Chrispy has tracked down a rare copy of Sam Moskowitz' essay on how Weird Tales was founded. In it, there is a clear statement about JC Henneberger and Harry Houdini.

"Among Henneberger's closets friends and a staunch admirer of Weird Tales was the famed magician Harry Houdini."

Here we finally here from a friend of Henneberger that Houdini was not only a friend but actively interested in Weird Tales. Houdini was not a mere "columnist" or "contributing writer". What Henneberger knew, there was every chance he would share with Houdini. This would include his "discovery" of HP Lovecraft.

... continued ...

1. Worlds of Weird, selected by Leo Margulies, introduction by Sam Moskowitz, illustrated by Virgil Finlay, Jove, NY, 1965. p.11.

Houdini and Lovecraft: Testimony of Muriel Eddy (1961) Part 5

In our last installment of our investigation into Muriel Eddy's testimony - this next pericope seems very true. (1)

When Harry Houdini came to Providence {20 September 1925} for the last time, we made up a theater party and attended the performance. It was a big production, and his wife Beatrice assisted him in his magic tricks and illusions. A niece, Julia, also was an assistant on the stage.
After the show, Houdini suggested that we go to lunch at a Waldorf restaurant. It was very late, and at the midnight hour we sat at a long table together, with Beatrice Houdini’s pet parrot perched demurely on her shoulder. Lovecraft got quite a kick out of watching the parrot … named Lori … sip tea from a spoon and nibble daintily at toast held by his polite mistress!

I remember that H.P.L. ordered half a cantaloupe filled with vanilla ice cream, and a cup of coffee. He was in great spirits and bubbled over with good humor, talking a blue streak about everything under the sun. Harry Houdini gazed at him admiringly. I am sure he liked H.P.L. as much as almost everybody did who had a chance to study and know him.


We know that Julia Sawyer (Houdini's niece) assisted not only with the show but as an undercover agent. (2) Prior to November 1925, Julia was dispatched to Lilly Dale - upstate New York - to discover information on Pierre Keeler a fraud and slate writer in residence there.

As to the parrot, this element is verifiable (3).

The Waldorf Restaraunt is a unique and verifiable element - and one that would only be relevant if she had truly been there. After some heavy research, Chrispy found (4) that the original Providence Bijou was razed in 1925 and immediately replaced by a concrete building which held a Waldorf Restaraunt franchise for years.

Lovecraft's love of ice cream is legendary, so that certainly seems correct. That he loved coffee (5) to this all his friends attested.

So, if we take this anecdote as factual, and there is every reason to do so, the implications are fascinating. Julia spent mid to late 1925 undercover in Lily Dale, NY. Muriel says C M Eddy did undercover work at Lake Pleasant, MA. We know that C M Eddy met (or told Lovecraft that he would meet) Houdini as early as 10 February. This is the height of Houdini's desire to go on the attack of the spiritualists. (6)

The distance of time gives us the question of who knew Houdini first - Lovecraft or C M Eddy. They both knew Baird and Henneberger and met Houdini within the same space of time. We can trace much of Lovecraft's contact with Houdini, and some of C M Eddy's contacts. Lovecraft was impoverished, and C M Eddy was more impoverished - exactly the kind of people that Houdini needed and had a passion to assist with his enormous wealth. Did HPL send work to C M Eddy form Houdini - or was it a natural progression of both men being cultivated by Houdini and C M Eddy having the broader amount of time to help?

Whatever the start of the game HPL and CME were at the end of it friends and there were few secrets from them that Houdini had created an espionage network. However, it seems that Lovecraft did not have the temperament to follow through as CM Eddy did.


***

1. The Gentleman From Angell Street: Memories of H. P. Lovecraft, Muriel E. Eddy & C. M. Eddy, Jr., ed. Jim Dyer, Fenham Publishing, Narangasett, R.I., 2001. “The Gentleman From Angell Street”, Muriel Eddy, 1961.
2. The Secret Life of Houdini, Kalush and Sloman, p. 465, "For three dollars, Julia got messages from a dead sister who never existed and from the spirits of two of her still-very-much-alive relatives." On line notes refer to "Central City Assembly No. 14, S.A.M., Syracuse, N.Y.", The Sphinx, November, 1925, 270.
3. THE NEW YORK TIMES • July 9, 1938 • Page 14, Column 7 HOUDINI’S PET PARROT PICKS CAGE LOCK, ESCAPES (Special to The New York Times. ) HOLLYWOOD, July 8 – Pat Houdini, 25-year-old parrot and former stage companion of Harry Houdini, emulated his dead master today by picking the lock to his cage and disappearing into the Hollywood hills.
Pat was reported to be “singing” as he soared away. // Edward Saint, who was Houdini’s manager, says the parrot learned to pick locks while watching his master during his escape acts with which Houdini fascinated audiences for years. // A few days ago Mrs. Houdini went East. She left the bird at a boarding home for pets, forgetting to tell them of Pat’s propensity for picking locks.
4. From www.http://cinematreasures.org/theater/26 , we read the following recollections: http://cinematreasures.org/theater/6598 Roger Brett wrote in Temples of Illusion about Spitz and Nathanson's Bijou Theatre: // "With its unveiling on March 28, 1908, Abe and Max became the city's first showmen to operate three theatres at once. This was the original Bijou at the corner of Westminster and Orange Streets, nestled against the big UnionTrust Building. A rarity among Providence Theaters, it had only one name and policy, movies, from its inception until its closing in July of 1925. // "Like the short-lived Lyric, it was a converted store and took up the entire ground floor of a high-ceilinged wood framed building dating from the early 1800's. It was razed in 1925 and the present [1976] concrete building, for many years occupied by a Waldorf Restaurant, immediately replaced it. (...) When it became a theater a huge false front was erected and the roof appeared to be flat when viewed from Westminster Street." // In style, this façade can best be described as 'High Coney Island.' It was elaborate in the extreme, painted white, and contained 2000 light bulbs. These were not in a sign but were actually mounted on the woodwork and traced the curves, arches, and parapets in brilliant relief for the benefit of evening crowds. Grime, generated by the city's traffic and chimneys in the early 1920s, forced the management to abandon white paint in favor of green and the Bijou lost some of its amusement park glamour towards the end. // "The Bijou sat 407, all on one level. From the beginning the theater was very popular and consequently very sucessful. Although the term was not in use at the time, the Bijou, along with the Nickel, were Providence's first-run movie houses. Abe Spitz, improving upon Charlie Lovenberg's initial booking arrangements, had the necessary contacts with the right people to insure getting the very best films for his theaters. The policy here, as at the Nickel, was always movies and illustrated songs, but no vaudeville." // posted by Gerald A. DeLuca on Jun 26, 2005 at 6:50am
5. Sam Moskowitz, Worlds of Weird, Jove, 1965, "I called on him a few months before his death ... if liquor was the cause of the early demise of Dylan Thomas ... black coffee loaded with sugar surely helped Howard to an early end."
6. p. 454, The Secret Life of Houdini, Ibid. Vacca and Houdini met in 1921 in Chicago. He was put on staff in 1923. He did advance work for Houdini and filed reports to him prior to any engagement. p. 460, Houdini hired Rose Mackenberg and filed detailed reports on hundreds of seances. Also, Alberta Chapman, a showgirl was a spy. A friend, not on the payroll, filed reports. This was Robert H. Gysel. (p. 461). He also enlisted law enforcement professionals, Detective Joseph Greene and policewoman Elizabeth Michaels in Manhattan. In Cleveland, he and a reporter broke up George Renner's racket.

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