Showing posts with label Ambrose Bierce. Show all posts
Showing posts with label Ambrose Bierce. Show all posts

Sunday, April 08, 2007

Lovecraft's Legacy: 1975 (The Hounds of Hell)


This is an interesting UK anthology representing some of the Mythos group - old and new.

The Hounds Of Hell, ed. Michel Parry. (Arrow, London UK, 1975)

The Hound by H. P. Lovecraft;
Staley Fleming's Hallucination by Ambrose Bierce;
The Dog by Ivan Turgenev;
The Hound of Death by Agatha Christie;
Dead Dog by Manly Wade Wellman;
The Dutch Officer's Story by Catherine Crowe;
Vendetta by Guy de Maupassant;
Dog or Demon by Theo Gift;
Louis by Saki;
The Howling Tower by Fritz Leiber;
The White Dog by Feodor Sologub;
The Hound by William Faulkner;
The Emissary by Ray Bradbury;
The Hound of Pedro by Robert Bloch;
The Whining by Ramsey Campbell;
The Death Hound by Dion Fortune.

Monday, February 12, 2007

More On The Transition of Juan Romero & Ambrose Bierce

Bierce’s "The Night-Doings at ‘Deadman’s", has a slight element of connection. He narrates, "…For a moment there was silence, then, from somewhere among the pines, came the snarling yelp of a coyote…". Lovecraft narrates, "At two in the morning a lone coyote on the mountain began to howl dismally.

Elsewhere, there is the narrative fragment, "…In ten hours the Gulch [Deadman’s Gulch] was deserted…". In Juan Romero, Lovecraft narrates, "We encountered no living creature, for the men of the night shift had been released from duty, and were doubtless at the Dry Gulch settlement pouting sinister rumours into the ear of some drowsy bartender."

And compare Lovecraft’s, "A storm was gathering around the peaks of the range, and weirdly shaped clouds scudded horribly across the blurred patch of celestial light which marked a gibbous moon attempts to shine through many layers of cirro-stratus vapours…" with Bierce’s narrative, "The moon was moving mysteriously along behind the giant pines crowning the South Mountain…", and later, "There was no connection between the two incidents other than that the coyote has an aversion to storms, and the wind was rising; yet there seemed somehow a supernatural connection to the two …". Bierce repeats, "The wind was now fairly abroad, and the pines along the mountain-side sang with singular distinctness.". And elsewhere, Bierce speaks not of clouds, but of a fire’s vapours, "… projecting spectral shadows … shadows that moved mysteriously about…".

The last textual connection seems to be with Bierce’s "The Damned Thing: 1. One does not always eat what is on the table". Lovecraft narrates, "When I awakened, I was safe in my bunk and the red glow of dawn was visible at the window. Some distance away the lifeless body of Juan Romero lay upon a table, surrounded by a group of men, including the camp doctor. The men were discussing the strange death of the Mexican as he lay asleep … and an autopsy failed to show any reason why Romero should not be living…". Bierce narrates, "… for besides the reader, eight other me were present. Seven of them sat against the rough log walls, silent, motionless … not very far from the table … any one of them could have touched the eigth man , who lay on the table, face upward, partly covered by a sheet, his arms at his sides. He was dead." And later, "… he was a coroner … the inquest was now taking place." In Bierce’s story, which has clear connections with the "Colour From Out Of Space", the dead man had been killed by an invisible beast, a reporter and story teller (a doppelganger Bierce) being the only witness.

Gentle Reader, you be the judge !!

The Transition of Juan Romero

Lovecraft writes a western??

Indeed.

On 19 September 1919 Lovecraft penned this story. Chrispy has always thought it smacked of Ambrose Bierce, yet few others do. Lovecraft explicitly states that it was written as an exercise in copying Phil Mac - a story that was a "dull ... commonplace adventure yarn". (1)

Lovecraft did read Biere sometime in 1919 at Loveman's prompt. (2) In Early 1919 HPL wrote Beyond the Wall of Sleep, though in no way related to Bierce's Beyond the Wall. Still, it is a mighty interesting coincidence.

Compare just a few fragments ...

"Juan Romero" HPL
From the watchman's cabin however gleamed ...

"The Moonlit Road" AB
At that moment my attention was drawn to a light that suddenly streamed from an upper window of the house; one of the servants, awakened by what mysterious premonition of evil who can say, …had lit a lamp.

"Juan Romero" HPL
... A small square of yellow light like a guardian eye ...

"The Eyes of the Panther" AB
He could now dimly discern the aperture - a square of lighter black. Presently, there appeared at its lower edge two gleaming eyes that burned with a malignant lustre inexpressibly terrible!

And, as to the use of Transition by HPL, we read in Bierce, "A Jug of Sirrup" , where he narrates, "In brief, it was the general feeling in all that region that Silas Deemer was the one immobile verity of Hillbrook, and that his translation in space would precipitate some dismal public ill or serious calamity."

One must consider that someone had a very Biercean manner of speech - whether HPL copied it from Bierce, or from Phil Mac !!

1. p. 69, 9 Nov 1919 to Rheinhart Kleiner in Lord of a Visible World, Joshi & Scultz, Ohio Univ Press, 2000.

2. In April 1920, Lovecraft had a Civil War Dream that was inspired by him reading Bierce's Civil War stories.

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