{Compare this to the other copy of "Imagination" previosuly posted - CP}
Miskatonic Books
Wednesday, February 27, 2008
Imagination 1938 (Bloch, Kuttner, &c)
{Compare this to the other copy of "Imagination" previosuly posted - CP}
Tuesday, February 26, 2008
Tryout Vol 3 No 3 1917
Monday, February 25, 2008
Brennan: H.P. Lovecraft: A Bibliography (1952)
Lovecraft Symposium 1964 (Riverside Quarterly)
The seller states: This item consists of one, 5.5 x 8.5-in., 16-page booklet in paper covers (w/footnotes inside rear cover). It is in very Fine, as issued condition; read once and carefully stored. H.P. Lovecraft: A Symposium: [Los Angeles] Sponsored by the Los Angeles Science Fantasy Society. Printed by the Riverside Quarterly, [1964], 1964. Octavo, pp. [1-2] [1] 2-17 [18: blank]; First edition. Errata leaf laid in. The discussion was recorded on 24 October 1963. Symposium panelists were Fritz Leiber, Robert Bloch, Sam Russell, Arthur Jean Cox and Leland Sapiro, with corrections and annotations to the transcript by August Derleth. Scarce.
Wednesday, February 20, 2008
Rare Frank Belknap Long Letter surfaces (1973)
Arkham Sampler Spring 1948
Fantasy Fan February 1935
Tuesday, February 19, 2008
1963 Symposium on Lovecraft
*Fritz Leiber
*Robert Bloch
*Sam Russell
*Arthur Jean Cox
*Leland Sapiro
PREFACE: This discussion was recorded at the October 24th, 1963 meeting of the Los Angeles Science Fantasy Solciety (LASFS).
Sunday, February 17, 2008
Lovecraft's Anti-Semitism (Gerry de la Ree book)
Saturday, February 16, 2008
Lovecraft's Personal Life (Esoteric Order of Dagon)
The seller of this item states: HOWARD PHILLIPS LOVECRAFT & SEX OR:THE SEX LIFE OF A GENTLEMAN THE OUTSIDER edited by R. Alain Everts
This eight-page paper was prepared for the 2nd mailing of that group of HPL acolytes that call themselves "The Esoteric Order of Dagon" or simply "EOD". Despite some personal rants & raves (isn't that what Fandom is for!?) the editor did indeed present a most noteworthy mailing for the "EOD" here. The two-page headlines discussed by the editor with Sonia Haft Greene Lovecraft Davis during his visits with her, do open a window into HPL's most private life .
I won't spill any of the beans but suffice to say that you will be - if not surprised, at least more informed! In addition the cover depicts HPL's own drawing of his beloved "Providence" and there is another reproduction of HPL's holograph in a letter printed to an amateur regarding voting for the Amateurs, circa 1916.
William Hope Hodgson is present with poetry and a rebuttal of Sam Moskowitz's biographical facts about WHH's life by editor Everts. Additionally there is poetry by another of the California Romantics & a contemporary of Clark Ashton Smith, Nora May French, who took her own life at age twenty-six. A scant eight-page publication but loaded with many many more pages of relevance!
The seller estimates the production of this circular: "does twenty-five copies sound about right for this early paper?"
Friday, February 15, 2008
Lovecraft to Loveman
H. P. Lovecraft. Autograph Letter Signed "Theobaldus Love". Two pages, 8.5" x 11", n.p. [Providence, Rhode Island], n.d. [perhaps 1928], to Samuel Loveman "Endymion", plain paper, ink.
The text of the letter reads:
"Woden's Day
Aonian Endymion: -
Damn your postman! Shall Novanglian thrift capitulate to the standardized demands of metropolitan bureaucracy? What complaint has the rascal to make if addresses be clear & legible? Does he want headline-type the size of a barn-door? Why, sir, I make the addresses on all my cards just as plain & as large as the printed address-slips stuck on newspapers & magazines.....but this curst impertinent dog has to cavil because my particular specimens don't come off a printing-press! Pox on such presumption! 'Zounds, Sir, I shall write to the papers about it! Upstart publick servants - we'll see, by God, Sir, we'll see! However, if it comes to a question of your own visual comfort, that's another matter. Why, Sir, I'll have the next one embossed in Braille!
And now permit me to felicitate you upon the wisest move you have made since your rash step of 1927! Back to the old stand - where Grandpa advised you to stay in the first place! Make it permanent this time, Sir! The Dauber & Pine firm is clearly an institution of great and increasing importance, & they are now sensible of how great an asset they have in your presence as expert & cataloguer. Grow up with them - & you will find that for an aesthete, such a salaried post offers a future much more tolerable than could any independent commercial venture. I envy you - & sincerely wish I had the bibliophilic erudition to land one of those similar posts whose numerousness you remark....especially if any of them permitted a Providence locale. I don't know just what extent of specialisation they demand - one could easily learn the stock terms & charactertick fashions of cataloguing, but no doubt these positions require a genuine knowledge of books & bibliophily from the merchant's & collector's standpoint.
I trust you are duly refresh'd & reinvigorated by your Antaeus-like contact with Cleveland soil. If you have any vocational openings in the ensuing weeks, don't forget that eastward routes are equally open to traffick! Providence in the autumn is a mystick & glamorous place - & side trips to ancient Newport & the Boston region are perennially pleasing supplements.
Quebec........(o gawd, give me a vocabulary!) Que....Que....yes, I must see Old England before I totter irrevocably into the sunset. But how could I ever come back, once I saw ancient London, & the rural lanes of Kent, & the thatched-roof'd villages of Lincolnshire, & the sombre stretches of Dartmoor leading down to those Devonian shores whence full half my ancestral lines sprang! I would have to take along some Providence views & crank up a case of homesickness to break away from Britannia once I sat foot upon the beloved, never-beheld sod -
This royal throne of kings, this sceptred isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise....
This precious stone set in the silver sea....
This blessed plot, this Earth, this realm, this ENGLAND!
Glad to hear that RK's return to the fold is proving stable. Tell him to make another Providence trip, & I'll try to hook up some crumb-cake to match the easily obtainable coffee of the region! And little ol' Arturo! What a damn shame you missed him! I'd like to see the old boy myself, & certainly hope he'll look me up if his itinerant outfit traverses this part of the world. Hope his prosperity is permanent - he deserves some ease and freedom from anxiety after the long gruelling years of the past. But what a beastly shame his Old Cap Collier's weren't waiting for him!
Heard from the Alfredus-child last week. He's back in Chicago from his summer at the old Appleton homestead, & has secured a better & more expensive flat. The new address (note for reference) is 1406 1/2 Elmwood Ave., Evanston, Ill. Next summer he hopes to go to Europe, spending much time at Antibes (the ancient Antipolis) on the Riviera. He reports the death of the old-time Wisconsin amateur Alfred L. Hutchinson of Weyaneuga. Do you recall this somewhat crude and eccentric old fellow? Speaking of amateurs - Paul J. Campbell is alas a Chicagoan now. Still in the oil-drilling business, & wants me to make a fortune by putting 200 bucks into some new project. What a pity I haven't the spare cash. I would so enjoy sudden affluence!
And so it goes. Once again, congratulations on the return to Swear 'Em & Weep! And get around to these parts when you can. Yes for politer postmen & larger postcards,
Theobaldus Love"
In this letter, Lovecraft implores Loveman to remain as a book dealer and cataloger with the firm of Dauber & Pine in New York City, and bemoans his own lack of skill for such a job. Samuel Loveman was a poet, friend and correspondent of Lovecraft's, and a great New York bookman who began as a cataloger at Dauber & Pine, an antiquarian bookshop on New York City's legendary Book Row. Loveman later owned and operated the Bodley Bookshop in New York City for over 30 years.
Lovecraft, ever the Anglophile, also concentrates a good portion of this letter on his yearning for "Old England," going so far as to quote five lines from William Shakespeare's famous appraisal of that "sceptred isle" from King Richard II.
Notably, Lovecraft also writes in this letter of "RK," which can only be his correspondent Rheinhart Kleiner, and of "Alfredus-child," most certainly he and Loveman's good friend Alfred Galpin. To close, Lovecraft signs his name "Theobaldus Love." He often signed some form of "Theobaldus" in letters to his closest friends, as well as referring to himself as "Grandpa," as he also does in the body of this letter.
The manuscript is in fine condition, with usual mailing folds, matching 1.5" closed tears at the top and bottom edges, and one small chip from the bottom edge less than .25" in diameter. A unique chance to obtain a Lovecraft to Loveman letter, as the former destroyed most of his correspondence upon learning of the latter's rampant anti-Semitism.
"Things that are permissible and even add to the flavor of his [Lovecraft's] fiction freeze into an attitude in his letters. And yet, even while one is prone to condemn their verbal vomit, one must admit that sound editing and the process of still sounder omission should free and add to the Lovecraft legend, and deliver him to posterity as he actually was - a charming companion, a wonderful human being, and a loyal friend." (Samuel Loveman, "Lovecraft as a Conversationalist") From the Robert and Diane Yaspan Collection.
Lovecraft to FBL Letter
H. P. Lovecraft. Autograph Letter with Great Content. First four pages of a longer letter, 5.75" x 9", n.p. [Providence, Rhode Island], Wednesday, [February 1927], to Frank Belknap Long, Marlborough-Blenheim Atlantic City, N.J. stationery, ink.
The text of the letter reads, in part:
"Young Man: -
[Symbol] [Symbol]
Y'AI 'NG'NGAH, OG THROD AI'F
YOG-SOTHOTH GEB'L-EE'H
H'EE-L'GEB YOG-SOTHOTH
F'AI THRODOG 'NGAH'NG AI'Y
UAAAH ZHRO
You don't know what these twin formulae mean? Ah, you are fortunate! Dr. Willett would give every hair of his well-trimmed white beard if he could only say the same-but God! He knows! He has seen! It all comes out on page 112 of the tale now drawing toward its close, and which I shall call either "The Case of Charles Dexter Ward" or "The Madness out of Time." Like Midas of old, curs'd by the turning into a young novel of every story I begin. You will in all likelihood see neither this nor "The Dream-Quest of Unknown Kadath" till you come hither in your new shiny Essex, for the typing of MSS [manuscripts] of this length is utterly beyond the powers of a feeble old gentleman who loses interest in a tale the moment he completes it. As for South Main St. - your dollar is safe & drawing interest, & Grandpa will get to work just as soon as the weather becomes venal enough to bring energy & activity to sluggish old bones. Writer is a ridiculous institution, & I'm almost inclin'd to feel kindly toward your Mediterranean world..."
This is a fascinating letter for a number of reasons. First of all, at the opening of the letter, Lovecraft writes several lines in his Cthulhu language, invented by the author and used in many of his Cthulhu Mythos stories. "Yog Sothoth" is, in fact, an Outer God and one of "The Old Ones" in many Lovecraft stories, and first appeared in Lovecraft's story "The Case of Charles Dexter Ward", which the author mentions in the beginning of this very letter. Lovecraft also mentions "The Dream Quest of Unknown Kadath" here, as well as his friends Donald Wandrei and Clark Ashton Smith, the latter of whom Lovecraft refers to as "Klarkash-Ton."
Lovecraft also writes of Providence in this letter, always an interesting prospect from the man who once proclaimed in a letter that "I am Providence." Here, Lovecraft writes that "well, Providence has not yet begun to take a census of the rats! (Of course, our figures do include the heterogeneous Labres west of the river, but we never think of Providence except as the compact old village of rooted stock on the hill & beyond, whose straight Yankee population may be 25,000 or so. I consider Providence a village, because the only part I inhabit is truly a separate social organism descending directly from the colonial town whose picture you may have seen on the walls.) As for the inspiration of New England - well, the landscape alone is enough for any man with even half an aesthetical sense!" He talks of New York, Virginia, Carolina, Georgia, Philadelphia, and Washington. None of these cities compare in Lovecraft's mind to his own little Providence, of course, though he does describe Philadelphia as "a place in which I could almost live." High praise, indeed, from a recluse who never desired to venture far from his own doorstep for very long. At the end of his discussion of other American cities, Lovecraft's racism surfaces again when he writes: "The three last strongholds of white civilisation in the Western Hemisphere are New England, Philadelphia, & the South! God save the King!"
The majority of the third and fourth pages of this letter show Lovecraft turning his critical eyes toward modern literature and modern poetry. He discusses or mentions "poor Tom Hardy," Robert Frost, Carl Sandburg, Ezra Pound, H. R. Haggard, and H. G. Wells. Lovecraft eventually comes around to addressing some of the work of the letter's recipient, Frank Belknap Long: "Speaking of poetry - your 'Homer at Five & Two' is altogether delightful, & ought to be amply welcome in any standard magazine."
The recipient of this letter, just like its writer, is a legend in the field of weird fiction. Frank Belknap Long was a prolific writer of all sorts, but is most remembered for his genre career, writing horror, fantasy, and science fiction alongside Lovecraft and for decades after "the gentleman of Providence" passed away. Long even wrote several stories in Lovecraft's Cthulhu Mythos universe, and was published on numerous occasions by Arkham House. And he was a frequent and long-standing correspondent of Lovecraft's.
The opening paragraph of this letter was excerpted as number 258 in Arkham House's Selected Letters II (p. 99), part of the legendary five-volume collection of Lovecraft's letters edited and published by August Derleth and Donald Wandrei. The letter is in fine condition. Both pages have usual mailing folds and two diagonal creases. Each page also has a 2.5" to 4" circular spot of toning to the top half of the page. A fantastic letter loaded with great content, written from one legendary weird fiction writer to another. From the Robert and Diane Yaspan Collection.
Lovecraft to Coates: Autograph Letter surfaces (1926)
H. P. Lovecraft. Autograph Letter Signed "HPL". Two pages, 5.5" x 9", n.p. [Providence, Rhode Island], n.d. ["Tuesday", perhaps 1926], to Walter J. Coates, plain paper, ink. The text of the letter reads, in full:"My dear Coates: - I wasn't especially defending Emily Dickinson, but was merely pointing out the multiplicity of the causes - & the soundness of a few of them - which impel occasional revaluations of literature from age to age. The present case is not unique, as you may easily see by following the reputation of any varied assortment of authors through a space of several centuries. It is a mistake, too, to single out Victorian opinion as a basis of comparison. In many ways the middle 19th century formed a naive & curious Dark Age of taste in all the arts - I hardly need point out its architectural barbarities. If we want to formulate a norm for the Anglo-Saxon main stream, we must consider the average massed opinion all the way down from Chaucer's time. The Elizabethan age represented a far truer flowering of our racial impulses than did the Victorian.However - as I said on my card, your main thesis seems to me perfectly sound & well taken. Undeniably - all apart from the effects of natural change and altered philosophic-scientific-psychological perspective - the world of American taste & opinion is distinctly & lamentably Jew-ridden as a result of the control of publicity media by New York Semitic groups. Some of this influence certainly seeps into Anglo-Saxon critical & creative writing to an unfortunate extent; so that we have a real problem of literary & aesthetic fumigation on our hands. The causes are many - but I think the worst factor is a sheer callous indifference which holds the native mind down to mere commercialism & size & speed worship, allowing the restless & ambitious alien to claim the centre of the intellectual stage by default. In a commercialised civilization, publicity & fame are determined by economic causes alone - & there is where the special talents of Messrs. Cohen & Levi count. Before we can put them in their place, we must de-commercialise the culture - & that, alas, is a full-sized man's job! Some progress could be made, though, if all the universities could get together & insist on strictly Aryan standards of taste. They could do much, in a quiet & subtle way, by cutting down the Semite percentage in faculty & student body alike. It is really amusing how we simple Western Europeans have allowed Orientals to trample over our brains for 1500 years & more - ever since we let them saddle us with the sickly Jew slave-religion of Christus instead of our own virile, healthy, Aryan polytheistic paganism. In this matter of religion, though, we are coming back - for the Jew-Christian tradition will be extinct in the Western world in two or three more generations, save for the nominal Catholic ritualism of the eternal rabble. We are getting back to the same Aryan philosophy & paganism which are naturally ours by right of blood & instinct.However - that isn't what we were discussing. As for literature - you'll find that the causes for contemporary change are many & complex, & that Semitisation is only one contributing influence. Let Great Britain, still largely un-Semitised, be your index of comparison. Scientific thought in England is pretty straight Anglo-Saxon stuff - Bertrand Russell, Aldous & Julian Huxley, H. G. Wells, Sir J. Jeans, Eddington, &c. &c. - but we find the forces of change emphatically at work. It was out of Ireland - where Jews are almost as happily scarce as snakes - that James Joyce's "Ulysses" came. The causes of our cultural changes, be they renaissances or decadences, are buried deep in complex historical & psychological phenomena. Our present convulsion - which is probably a renaissance in some phases & a decadence in others - is far too big an affair to be traced to any single origin. Roughly speaking, the thing is due to the effect of sudden new doses of knowledge, & of sensationally rapid changes in ways of living, travelling, earning money, & making things. Personally, I think we're losing more than we're gaining; for of all the current changes only the matter of added knowledge & intellectual liberation seems really good to me.Weiss & Harris write very interestingly - especially Harris, who is refreshingly intelligent despite a narrow aesthetic horizon. He'll expand with the years, I think.Rather cool autumn hereabouts, so that I haven't been outdoors as much as last fall. I don't envy you up in the Arctic regions! Best wishes - & I eagerly await your second article on literary transvaluations. Yr obt servtHPLP.S. Is the magazine you want The American Poetry Magazine, edited by Clara Catherine Prince, 358 Western Ave., Wauwautosa [sic], Wisconsin? The man who prints that is a friend of a friend of mine, & is thinking of founding a pedagogical publishing house. If he does, I shall probably be his chief reviser."Walter J. Coates was a fellow amateur journalist and small-time publisher introduced to Lovecraft, most likely, through W. Paul Cook (later to publish Lovecraft's The Shunned House). Coates' and Lovecraft's friendship developed over a mutual love for New England and poetry. Coates published a great amount of Lovecraft's writing in his regional magazine Driftwind, beginning with HPL's essay "The Materialist Today" in October 1926. Later, Coates would print a good amount of Lovecraft's poetry in the same periodical.The most striking content in this particular letter from Lovecraft to Coates is the former's bald articulation of an obvious anti-Semitism. In the midst of a letter discussing Emily Dickinson and socio-literary issues, and amongst discourse on writers such as Russell, Huxley, Wells, and Harris (most likely his friend Woodburn Harris, to whom he had probably been introduced by Coates) Lovecraft launches into a diatribe on a culture he sees as "Jew-ridden as a result of the control of publicity media by New York Semitic groups." Lovecraft's view of Jewish people is a most curious aspect of his personality. In many letters to friends and associates, Lovecraft espoused a similar opinion of Jewish people as he articulates here. Yet, he had numerous Jewish friends, and in his one marriage, betrothed himself to a Jewish woman, Sonia Greene. Debate rages over the depth and degree to which Lovecraft actually felt his own anti-Semitism, but there can be no doubt that "the gentleman of Providence" held a viewpoint that is quite unpopular and out of vogue in current times.Frank Belknap Long attempted to contextualize or rationalize Lovecraft's apparent racism in a letter to L. Sprague de Camp which appears in the latter's Lovecraft: A Biography. Whether or not one believes Long is his or her choice, for certainly enough evidence can be found from Lovecraft's own pen to support a charge of anti-Semitism. Still, Long attempts to come to the aid of an old friend: "This may be hard for you to believe. But during the entire NY period, in all the meetings and conversations I had with him, he never once displayed any actual hostility toward 'non-Nordics' - to use the term to which he was most addicted - in my presence, either in the subway or anywhere else...If one of them had been in distress he would have been the first to rush to his or her aid. Emotionally he was kindliness personified. It was all rhetorical - the kind of verbal overkill that so many of the hippie underground-press writers engaged in in the sixties. It was a sickness in him, if you wish - the verbalization part - but it wasn't characteristic of him in a deep, basic way."This letter is in remarkable shape, with usual mailing folds, one small crease at the bottom right corner, and a barely noticeable fingernail nick along the right edge. The page has toned slightly, but is overall in very fine condition. (S. T. Joshi, H. P. Lovecraft: A Life 427) From the Robert and Diane Yaspan Collection.
FRank Belknap Long autographs surface
Thursday, February 14, 2008
Arkham Sampler: Autumn 1949
Derleth to Long (1947)
Not Lovecraft: But very rare
"Levah keraph" Unique Gerry de la Ree book
Various Classic Lovecraft Books
H. P. Lovecraft and Willis Conover. Lovecraft at Last. Arlington: Carrollton-Clark, 1975.First edition, limited to 1,000 numbered copies. Quarto. 272 pages. Original red cloth with titles in gilt on a black label on the spine. Light water stains at the bottom edges of the board. Dust jacket slightly cockled at the bottom corners of the front and rear panel. With a facsimile of Lovecraft's 1936 revision of the article "Supernatural Horror in Literature", his last manuscript and the matching slipcase which holds all items, as issued. Very good. From the Robert and Diane Yaspan Collection.
H. P. Lovecraft. Four Horror First Editions By or About H.P.L., One Signed, including: Supernatural Horror in Literature. With an Introduction by August Derleth. New York: Ben Abramson, 1945. Octavo. 106 pages. Index. Black cloth with silver spine titles. Overall near fine. No dust jacket. [and:] H. P. Lovecraft and August Derleth. The Lurker at the Threshold. Sauk City, Wisconsin: Arkham House, 1945. Twelvemo. 196 pages. Black cloth with gilt spine titles. Overall, book and dust jacket are near fine with minor wear. [and:] H. P. Lovecraft and August Derleth. The Survivor and Others. Sauk City, Wisconsin: Arkham House, 1957. Inscribed and signed on the front endpaper by August Derleth. Twelvemo. 161 pages. Black cloth with gilt spine titles. Overall, book and dust jacket are fine. [and:] L. Sprague de Camp. Lovecraft: A Biography. Garden City, NY: Doubleday and Company, Inc., 1975. Octavo. 510 pages, untrimmed. Quarter black paper over red paper boards. Gilt spine titles. Bumps on corners of covers. Overall, book and dust jacket are near fine. From the Robert and Diane Yaspan Collection.
H. P. Lovecraft. Three First-Edition Short Story Collections, including: H. P. Lovecraft and Divers Hands. The Dark Brotherhood and Other Pieces; H. P. Lovecraft and Others. Tales of the Cthulhu Mythos; H. P. Lovecraft and August Derleth. The Watchers Out of Time. Sauk City, Wisconsin: Arkham House, 1964-1974.
The Shunned House resurfaces ($12,000)
By H.P. Lovecraft
Athol, Massachusetts W. Paul Cook - Recluse Press 1928.
First Edition of the Authors First Book.
Of the first edition of 300 sets of sheets printed, the book was not issued during Lovecrafts lifetime and a number of unbound sheets were damaged and unused, this is one of 50 sets of folded unbound sheets that Arkham House started selling in circa 1952 with an Arkham House copyright notice affixed to the copyright page.
Enclosed in a custom full morocco clamshell box.
Monday, February 11, 2008
Lovecraft's Legacy: Lovecraft Begins to Meet Role Playing (1978)
Lovecraft's Ideas (sometimes through the interpretation of August Derleth, Fritz Leiber, Brian Lumley, and others) are deeply incorporated into today's role playing games.
From the seller: Here is the main magazine for the role playing game community, no longer printed (this issue is from the second volume of the magazine & very early in the history of Dungeons & Dragons - popular fantasy RPG from TSR of Lake Geneva, Wisconsin.) Beginning to appear more professional, this issue has features like the Illusionist that will later be incorporated into the Dungeons & Dragons and Advanced Dungeons & Dragons games. Ads are an interesting look back at the the earliest RPG companies such as Judges Guild, Grenadier, Ral Partha, Chaosium. A great issue marred by the terrible cover damage as seen in the front scan! ... Contents Include The Humorous Side of D&D, The Druids, "Quag Keep" (fantasy story by Andre Norton), A New Look at Illusionists, The Persian Mythos, Ship's Cargo (seagoing treasures), Some Thoughts of the Speed of a Lightning Bolt (Jamea Ward), Sorcerer's Scroll (Rob Kuntz column, on H. P. Lovecraft mythos gods), Advanced D&D Monster Manual Review, Wormy (cartoon by Tramp), Fineous Fingers (cartoon by JDW). Item Identification The Dragon Magazine #12, Vol. II, #6. Size 11 x 8.5 inches, 32 pages. Publisher TSR Periodicals. Date February, 1978
Nodens: Part 2
The Strange High House in the Mist:
And then to the sound of obscure harmonies there floated into that room from the deep all the dreams and memories of earth's sunken Mighty Ones. And golden flames played about weedy locks, so that Olney was dazzled as he did them homage. Trident-bearing Neptune was there, and sportive tritons and fantastic nereids, and upon dolphins' backs was balanced a vast crenulate shell wherein rode the gay and awful form of primal Nodens, Lord of the Great Abyss. And the conchs of the tritons gave weird blasts, and the nereids made strange sounds by striking on the grotesque resonant shells of unknown lurkers in black seacaves. Then hoary Nodens reached forth a wizened hand and helped Olney and his host into the vast shell, whereat the conchs and the gongs set up a wild and awesome clamor. And out into the limitless aether reeled that fabulous train, the noise of whose shouting was lost in the echoes of thunder.
Nodens: Part 1
In Dark Hollow (2008) which is identical to The Rutting Season (2006), Keene mentions Nodens. On pp. 226 he writes that "Found a picture in one of my history books. It's all in Latin ... a marker, a totem to Nodens, one of the Thirteen ... discovered by a scientist fella named Machen ... O'Connor had said we weren't supposed to say Noden's name out loud". The inscription is previously listed on p.26 of Dark Hollow.
DEVOMLABYRINTHI
NLEHORNPOSSVIT
PROPTERNVPTIAS
QUASVIDITSVBVMRA
This is basically from the story, The Great God Pan (1894). Arthur Machen hints that the identity of the god is actually the ancient British god Nodens. In the final chapter, an informant from the border of Wales tells of finding an inscription on a pillar in an ancient roman ruin near where Helen Vaughn lived.
On the side of the Pillar was an inscription, of which I took a note. Some of the letters had been defaced, but I do not think there can be any doubt as to those which I supply. The inscription reads as follows:
DEMOMNODENi
PLAvISSENILSPOSSVit
PROPERNVPtias
quasVIDITSVBVMBra
"To the great good Nodens (the god of the Great Deep or abyss) Flavius Senilis has erected this pillar on account of the marriage which he saw beneath the shade".
I don't know when Mr. Keene became entranced by Machen's work, but he has been a long time correspondent and friend to Mr. Tim Lebbon, whose work is very indebted to Machen.
***
A previous researcher has stated: the mental model was the Roman ruin at Caermaen, which war near the home where Machen grew up in in southeast Wales, he probably was also inspired by findings at Lydney Park, just across the border in Glouschestershire. Machen's fictional inscription seems to be a sinister parody of the kind of inscriptions which were found during the excavation of an extensive temple complex dedicated to Nodens located there. ... Machen probably became familiar with Nodens and his cult through William Hiley Bathhurst and C. W. King's Roman Antiquities at Lydney Park published in 1879, which included a number of similar obscure inscriptions to the mysterious god. ... Machen's use of Flavius Senilis as the author of the fictional inscrpition. Flavius Senilis is also the author of a famous inscription found by Bathurst and King on a mosaic floor at the temple at Lydney park (above) which reads, "D(eo) N(oenti) T(itus) Flavious Senilis, pr(aepositus) rel(oqiatopmo), ex stipibus possuit o [pus cur]ante Victorio inter[pret]e. 'The god Nodens, Titus Flavious Senilis, officer in charge of the supply-depot of the fleet, laid this pavement out of money offerings; the work being in charge of Victorious, interpreter of the Governor's staff.'"(Wheeler and Wheeler, p. 103; who reproduce Bathurst and King's drawing of the inscription).
Also: Sir John Rhys wrote, "Nodens, the Celitc Zeus was not simply a Neptune or a Posidon, in his connections with the sea; he was also a Mars, as his inscriptions at Lydney testify: (p 130, my emphasis).. Nodens is not simply to be compared with the classic Zeus, but with the pre-classical Zeus, was Zeus, Posidon and Pluto all in one; who also discharged the functions of his classical so-called sons. Greek Literature usually represents Greek theology in a highly departmental state; but traces are not lacking of a previous state. We have a well-known instance in Pluto, who was always a Zeus, with his realm in the deep earth as far below its surface as the sky above it. This is born out by the orphic myth of the union of Persephone of Zeus in the form of a snake, but still as father Zeus; and by the Pontic cult which did not did not disting Zeus Upatos and Zeus Chthonios, not to mention how near the ideas of Pluto, or Pluton, as a god associated with wealth, comes to that of Zeus Plousious (Celtic Heathendom, p. 131).
Machen's Pan is not the simple goat god of the mythology handboks, but one created in the orientalized syncretistic religious decadence of of the late Roman Empire. Machen's image of Pan is most likely the product of more esoteric reading, which could include the Hermetic Books, Gnosticism and Alchemy, and some more scandalous early studies such as Richard Payne Knight's Discourse on the Worship of Priapus, (1786), which were sold to later day Victorian as a kind of antiquarian pornography. This Pan was always closely associated with the cult of Dionysus, and often was his double.
Some Lovecraft Letter Fragments
"Regarding the Necronomicon--I must confess that this monstrous & abhorred volume is merely a figment of my own imagination! Inventing horrible books is quite a pastime among devotees of the weird, &...many of the regular W.T. contributors have such things to their credit--or discredit. It rather amuses the different writers to use one another's synthetic demons & imaginary books in their stories--so that Clark Ashton Smith often speaks of my Necronomicon while I refer to his Book of Eibon . . & so on. This pooling of resources tends to build up quite a pseudo-convincing background of dark mythology, legendry, & bibliography--though of course none of us has the least wish actually to mislead readers." - H. P. Lovecraft, letter to Miss Margaret Sylvester (January 13, 1934)
"Abdul is a favourite dream-character of mine--indeed that is what I used to call myself when I was five years old and a transported devotee of Andrew Lang's version of the Arabian Nights. A few years ago I prepared a mock-erudite synopsis of Abdul's life, and of the posthumous vicissitudes and translations of his hideous and unmentionable work Al Azif ...--a synopsis which I shall follow in future references to the dark and accursed thing." - H. P. Lovecraft, letter to Robert E. Howard (August 14, 1930)
"The name 'Abdul Alhazred' is one which some adult (I can't recall who) devised for me when I was 5 years old & eager to be an Arab after reading the Arabian Nights. Years later I thought it would be fun to use it as the name of a forbidden-book author." - H. P. Lovecraft, letter to Harry O. Fischer (late February, 1937)
http://www.mystae.com/restricted/streams/scripts/necronomicon.html
Lovecraft, Comics, Julius Schwartz
Mr. Perridas,
Just discovered your blog about the Gentleman from Providence. Good stuff, very enlightening.
Lovecraft's impact on sequential art, especially superhero comics, is immense. Curious if you're aware of how much his Mythos has informed modern superheroics, particularly those of the DC universe (where his young friend Julius Schwartz - another child of Abraham in his acquaintance!).
Here is a great blog on the subject at: http://aristagoras.blogspot.com/
It begins:
I think I'll creatively do so by briefly laying out the story I'd like to read that would explore Lovecraft's influence on the Silver Age of DC Comics, in particular. I mean, the editor at the time? Julius Schwartz, who in his younger days was a fan who acted as agent for Lovecraft.The following builds to the story I'd like to see from DC Comics, one that would reflect on Lovecraft's influence on comics as well as give an "alternate" end to the Silver Age.
more.
Robert E Howard
If you have Howard informations you don't see, let him know.
For that matter, if one of my 1200 blogs doesn't cover some aspect of Lovecraft - email me!! As to comics, see the next post.
Kappa Alpha Tau Report & Possible Understanding of Young Lovecraft's Cat
By EVELYN NIEVES – Jan 29, 2008
Sunday, February 10, 2008
Arkham Sampler of Winter 1949
{CAS copy directly above}
Saturday, February 09, 2008
Fishy note on Beast in the Cave
NoeLarkianism has fallen out of favor. It basically states that if a species is seculded in it's ecosytem and that ecosystem traumatizes part of it, then that trait will dominate. In this case, fish in caves do not need to see light frequencies, and therefore over millions of years the eyes are useless. The controversy is that many scenarios exist whereby this does NOT happen. You can cut the tails off of a dog and yet every dog will always be born with a tail. Billions of men have been circumcised, but peple are not born uncircumcised. Despite millions of apendectomies and gall bladder removals, people are still born with those organs.
Now we have some insight in 12 January 2008 Science News.
Richard Borowsky of New York University cross bred two different unsighted cave species. That crossoing bred some % of sighted fish. Lineages of the same sepcies, long sepereated in different caves may all end up being blind, but different genes have mutated to converge on the same result. Thus pairing them off again reactivates dormant functionality.
This is called the "Scenario of Convergence".
Borowsky mixed and matched fish from 29 different caves.
Now how does one rationalize Lovecraft's fictional Lamarkianism? Perhaps the advanced species - the gods, the Old Ones - realize that humans' traits are as limited and limiting as those of blind fish. A sudden transfusion of new Dna quickly and permannnetly alters the DNA of humans to becomes Icky Ichthus men, or froggish things, or lobster clawed morphs, ar even star-headed monsters?
Stay tuned as science gets closer to solving Lovecraft's mysterious ideas.
Myrta Alice Little
See what you're missing when you haven't joined the Lovecraft Google group? :)
***
No one remembers Myrta!
Myrta Little lived in New Hampshire, and is one of my favorite Lovecraft gals that no one remembers. Ol' Howard was crashing at her family farm in 1921 and 1922 but after her marriage in 1923, she drops off the radar.
Yes, she's mentioned briefly in Joshi. She was a Amateur Press member (an officer for a while too, if I recall). He visited her at least twice, based on SL1.
As far as anyone knows, only one letter from HPL to Little exists - it ran in LS#26.
Joshi paints her as an unsuccessful writer based on the lack of materials in Brown, but I've had access to some archival newspaper material and she actually did quite well: at least 8 short stories ran in newspaper syndication plus one that was anthologized. Plus pieces in The Tryout (of course).
Most of her published stuff is 100% fluff, but she was, in the short-term, more successful that HPL.
And yes, she visited Tryout Smoth with HPL and arranged the tour of Haverhill Historical Society with HPL. She was a direct descendant of Josiah Bartlett, which had a lot of pull in genealogical circles and she was able to have the museum opened even though it was closed that day.
Friday, February 08, 2008
Winifred Virginia Jackson
Edith Miniter & H P Lovecraft (1921)
The seller states:
More on the Ray Bradbury 1950 parody of Lovecraft
In 1944 Donald Wandrei published the memorial, "The Dweller In Darkness" under Arkham House imprint in the book Marginalia, which I have; pp. 362-369. If you read that narrative, and compare it with Bradbury's excerpt, there are some remarkable parallels. Bradbury had a number of sources that would have told him about Lovecraft in the 12 years or so since Lovecraft's death. Virtually all of the eccentric behavior exhibited by Lovecraft in Wandrei's remebrance is paralleled and exagerated to hyperbole by Bradbury. I also note that in 1949, Bradbury let Arkham House publish one of his uncollected Martian stories in the Arkham Sampler (which I am trying to acquire currently, wish me luck). Finally, Jimster found this blurb in Wikipedia of Kuttner, a source he might have used to know more about Lovecraft: Bradbury has said that Kuttner actually wrote the last 300 words of Bradbury's first horror story, "The Candle" (Weird Tales, November 1942). Bradbury has referred to Kuttner as a neglected master and a "pomegranate writer: popping with seeds -- full of ideas".
We have already discussed the ice cream incident Wandrei witnessed in a blog post yesterday. (There were at least two trips to Maxfield's in two years). Wandrei states in The Dweller in the Darkness, "His conversation was of astonishing erudition ... had a dry sense of humor ... he talked the way the Eighteenth Century Gentleman wrote ... though it was afternoon, the windows were all closed and the curtains lowered ... one shaded electric bulb threw a weak cone of light upon a desk and chair ...". Wandrei states that HPL says, "I can not tolerate seafood in any form ... I have hated fish and feared the sea and everything connected to it since I was two years old ...", and, "the hotter the day, the better I feel. It is cold I can not endure."
In MacCleans Magazine, 1949, Bradbury published "The Exiles". It was a Martian story and in 1950 "The Martian Chronicles first came out in book form, though a few Martian stories did not make the cut. From what I've read, Anthony Boucher seized "The Exiles" as a reprint. F&SF was mostly reprints from what I can tell of my Vol. 1, Issue 2 magazine. Boucher must have encouraged Bradbury to add and modify the story. (There is nary a mention of MacCleans, nor theree need not be since it is modified enough to be a different version.) Then, as quickly as this Lovecraftian amendment appeared, it was never to see the light of day again. I can find no trace of it elsewhere. On a scholarly Ray Bradbury site, I found this: For the F&SF reprint, Bradbury added a whimsical encounter with H. P. Lovecraft as Poe, Bierce and Blackwood make their way to visit Dickens (an F&SF substitution for Hawthorne). Bradbury was not satisfied with this long 600-word parody of Lovecraft and deleted it from all further versions.
Now, here is Mr. Bradbury. Later, I'll try to type out the entirety of "The Exiles".
***
The Lovecraft portion of "The Exiles" by RAY BRADURY; The Magazine of Fantasy and Science Fiction, Vol. 1, No. 2, Winter/Spring 1950, pp. 79-81
...On the way down the stairs they stopped at a heavy door and rapped. The door plate read: Mr. H. P. Lovecraft, and a voice from behind it said, "Come in."
The door was blistering hot to the touch.
"Watch out for the draft," said Lovecraft, wildly, as they entered and slammed the door. A shudder went through the gaunt frame of the man who sat in a fine antique chair, quill pen in his thin hand, his coat collar tight up about his neck, his back to a thundering, crackling hearth-fire. The room was so hellish that the candles were melted into tallowy pools. And the fire was so fiercely bright that it was like living in the sun. Lovecraft trembled his chilly hands out to the fire as if the brief opening of the door had let an arctic terror of wind at him. "We can not be too careful," he said. "There are drafts in castles like this. What is it?"
"Come along, we’re going to talk to Dickens."
"No, no, I am sorry." Lovecraft hurried to a small icebox which somehow survived this red furnace and brought forth two quarts of ice-cream. Emptying these into a large dish he hurried back to his table and began alternately tasting the vanilla ice and scurrying his pen over crisp sheets of writing paper. As the ice-cream melted upon his tongue, a look of almost dreamful exultancy dissolved his face; then he sent his pen dashing. "Sorry. Really, I am awfully busy, gentlemen, Mr. Poe, Mr. Bierce. I have so many letters to write."
"But how can that be?" protested Bierce, "You haven’t received any letters here."
"That means nothing." The writing man tried another delicate spoonful of the cold treasure. There were six empty vanilla ice-cream boxes piled neatly on the hearth from this day’s feasting. And the ice-box, in the quick flash they had seen of its interior, contained a good dozen quarts more. "I am writing a letter to Mr. L. Frank Baum, I am quite sure that we shall enjoy a delightful correspondence, once started ….
"But this is his castle, the Emerald City, he lives right downstairs," said Poe.
"And then I have a letter I must write to Mr. Samuel Johnson, and Mr. Alexander Pope, and Mr. Machen, and Mr. Coppard, and a thousand others. I do not know when I shall finish. But I shall take the time to help you with Mr. Dickens, nevertheless."
‘‘Will you?’’
"Yes." Lovecraft dipped his quill. "I shall write him a letter about this crisis."
"Come on, Edgar," said Bierce, with a laugh.
Poe’s eye fell upon a letter. "May I take this along?"
"Of course," said Lovecraft. "I wrote it to you, your name is on it, is it not?"
As they opened the door, Poe and Bierce had a last glimpse of Lovecraft cowering from the cold draft wering from the cold draft, ice-cream in his terrified mouth, dripping pen in hand.
Bang! The door slammed.
‘Remind me to send him a half ton of lobsters," said Poe.
Blackwood was waiting for them.
"Mr. L. Frank Baum was just here," he said. "He wants to see you, Mr. Poe. He’s terribly shocked and nervous at the way you’ve taken over the Emerald City. He doesn’t like the cobwebs and bats."
Tell him to see me later!"
...
Thursday, February 07, 2008
"HPL & JFM to HW, 4 Aug 1934" Companion Letter Surfaces: "HPL & JFM to DW, 4 Aug 1934"
Truly a remarkable piece of history and ephemera. A magnificent hand-written postcard by H.P. Lovecraft to his good friend Howard Wandrei (1909-1956). Howard Wandrei is noted as a fantastic fiction author with numerous short stories appearing in the 1930s and 1940s. He is also the brother of Arkham House co-founder Donald Wandrei. The postcard also has a short note by James F. Morton, another good friend of Lovecraft's. The postcard was sent to Howard to share an experience at an Ice Cream parlor. Lovecraft opens with a brilliant, typical Lovecraftian flourish "Hail, Spawner of Daemons!" Lovecraft continues, "I am harboring a guest of honor with whom I believe you [know]". This is James F. Morton, and thus the note added by Morton at the end of Lovecraft's writing.
Lovecraft continues to write about how he has "produced an ice-cream famine at Maxfield's", which of course is Mrs. Julia A. Maxfield's Ice Cream Parlor in Warren, Rhode Island. Lovecraft asks Howard if "Donald has told you about this famous counter of orifaction?" This Ice Cream Parlor has sort of obtained a legendary place in Lovecraftian history. From the 1944 Arkham House book Marginalia by H.P. Lovecraft, there is a section titled "The Dweller in Darkness" by Donald Wandrei. In that piece he explains the history and story behind the first 1927 trip to Maxfields:
We took a bus for Warren, Rhode Island, where they promised a great treat. At Warren we walked to an establishment called Maxfield's in a rambling old Colonial house. Its specialty was ice-cream, and it developed that our pilgrimage was solely for the purpose of consuming ice-cream.
There were thirty-two varieties on the menu. "Are they all available?" asked Lovecraft.
"No," said the waiter, "only twenty-eight today, Sir."
"Ah, the decay of modern commercial institutions," said Lovecraft dolefully. "Thirty-two varieties are advertised but only twenty-eight are prepared for the famished pilgrims."
We each ordered a double portion of a different flavor, and by dividing each other's choice, we ejoyed three flavors with each serving. The trams came on and on--chocolate, vanilla, peach, black raspberry, pistachio, black walnut, coffee, huckleberry, strawberry, orange, plum, mint, burnt almond, and exotic types whose names I do not recall. The ice-cream was superior; there was no doubt of its being of the finest quality. But on the twenty-first variety I was beyond capacity. I watched with awe while the remaining flavors arrived in the same huge portions, and Lovecraft and morton ate on with undiminshed zest, interspersing the astonishing meal with a wealth of literary allusions on the origins of ice-cream, its preparation in Italy, its appeal to famous men, the distinctions between meringues, ice-creams, and ices. I managed to sip each flavor for the record of twenty-eight, but I was a weak runner-up to the champions. I would estimate that Lovecraft and Morton consumed between two and three quarts of ice-cream apiece on that gastronomic triumph
The occasion was so memorable that we wrote a short note of appreciation of the twenty-eight varieties and our enjoyment, signed it, and left it at the table. A year later when we visited Warren, we were surprised to find our tribute decorating a wall. Lovecraft was both amused and delighted but all he said was, "What a disapointment that the other four varieties were not available."
The postcard continues, "Now by the shores at Buttonwoods [a city in Rhode Island]. Hope you'll get over to these parts before you blastaway toward the sunset. Regards--HP" After Lovecraft's note, is a short note written in blue pen by Morton: "Greetings ouf of the dark from the unknown, but not malefic. James F. Morton." The postcard is hand addressed by Lovecraft and was mailed at Buttonwoods, Rhode Island on August 4, 1934 at 7am. The postcard showcases the New Providence County Court House in Lovecraft's beloved Providence, Rhode Island. The postcard is in nice shape with slight yellowing due to age. There is little to no toning, and only very minor soiling (mostly to the face). There is one small chip on the front in the lower left hand corner (about 1/8"). The postcard has provenance, as it was from the Howard Wandrei estate and was auctioned off by his family at The Southern California Book Fair Auction on April 28, 1989. (Copies of the auction page and catalog with the item will be provided to purchaser.)
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- Imagination 1938 (Bloch, Kuttner, &c)
- Tryout Vol 3 No 3 1917
- Brennan: H.P. Lovecraft: A Bibliography (1952)
- Lovecraft Symposium 1964 (Riverside Quarterly)
- Rare Frank Belknap Long Letter surfaces (1973)
- Arkham Sampler Spring 1948
- Fantasy Fan February 1935
- 1963 Symposium on Lovecraft
- Lovecraft's Anti-Semitism (Gerry de la Ree book)
- Lovecraft's Personal Life (Esoteric Order of Dagon)
- Lovecraft to Loveman
- Lovecraft to FBL Letter
- Lovecraft to Coates: Autograph Letter surfaces (1926)
- FRank Belknap Long autographs surface
- Arkham Sampler: Autumn 1949
- Derleth to Long (1947)
- Not Lovecraft: But very rare
- "Levah keraph" Unique Gerry de la Ree book
- Various Classic Lovecraft Books
- The Shunned House resurfaces ($12,000)
- Lovecraft's Legacy: Lovecraft Begins to Meet Role...
- Nodens: Part 2
- Nodens: Part 1
- Some Lovecraft Letter Fragments
- Lovecraft, Comics, Julius Schwartz
- Robert E Howard
- Kappa Alpha Tau Report & Possible Understanding of...
- Arkham Sampler of Winter 1949
- Fishy note on Beast in the Cave
- Myrta Alice Little
- Winifred Virginia Jackson
- Edith Miniter & H P Lovecraft (1921)
- More on the Ray Bradbury 1950 parody of Lovecraft
- "HPL & JFM to HW, 4 Aug 1934" Companion Letter Sur...
- Not quite Lovecraft ...
- Lovecraft's Legacy: 1996 (The Hungry Maggot)
- Marvel Tales 1934
- June 1935 Fantasy Magazine
- 1916 Item On Auction
- Lovecraft Letter in Phantagraph (1935)
- HPL Last Residence 66 College Street
- Lovecraft's Legacy: 1946
- David H Keller Controversy in 1968
- Ray Bradbury's Parody of HP Lovecraft: Part 2
- Ray Bradbury's circa 1950 Parody of HP Lovecraft
- Elizabeth Bear, "Shoggoths in Bloom"
- Thanks, Dave Goudsward! Cthuluesque Art
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