
{Compare this to the other copy of "Imagination" previosuly posted - CP}
...and more ! Hosted by Chris Perridas.













H. P. Lovecraft. Autograph Letter Signed "Theobaldus Love". Two pages, 8.5" x 11", n.p. [Providence, Rhode Island], n.d. [perhaps 1928], to Samuel Loveman "Endymion", plain paper, ink. 


H. P. Lovecraft. Autograph Letter with Great Content. First four pages of a longer letter, 5.75" x 9", n.p. [Providence, Rhode Island], Wednesday, [February 1927], to Frank Belknap Long, Marlborough-Blenheim Atlantic City, N.J. stationery, ink. 
H. P. Lovecraft. Autograph Letter Signed "HPL". Two pages, 5.5" x 9", n.p. [Providence, Rhode Island], n.d. ["Tuesday", perhaps 1926], to Walter J. Coates, plain paper, ink. The text of the letter reads, in full:"My dear Coates: - I wasn't especially defending Emily Dickinson, but was merely pointing out the multiplicity of the causes - & the soundness of a few of them - which impel occasional revaluations of literature from age to age. The present case is not unique, as you may easily see by following the reputation of any varied assortment of authors through a space of several centuries. It is a mistake, too, to single out Victorian opinion as a basis of comparison. In many ways the middle 19th century formed a naive & curious Dark Age of taste in all the arts - I hardly need point out its architectural barbarities. If we want to formulate a norm for the Anglo-Saxon main stream, we must consider the average massed opinion all the way down from Chaucer's time. The Elizabethan age represented a far truer flowering of our racial impulses than did the Victorian.However - as I said on my card, your main thesis seems to me perfectly sound & well taken. Undeniably - all apart from the effects of natural change and altered philosophic-scientific-psychological perspective - the world of American taste & opinion is distinctly & lamentably Jew-ridden as a result of the control of publicity media by New York Semitic groups. Some of this influence certainly seeps into Anglo-Saxon critical & creative writing to an unfortunate extent; so that we have a real problem of literary & aesthetic fumigation on our hands. The causes are many - but I think the worst factor is a sheer callous indifference which holds the native mind down to mere commercialism & size & speed worship, allowing the restless & ambitious alien to claim the centre of the intellectual stage by default. In a commercialised civilization, publicity & fame are determined by economic causes alone - & there is where the special talents of Messrs. Cohen & Levi count. Before we can put them in their place, we must de-commercialise the culture - & that, alas, is a full-sized man's job! Some progress could be made, though, if all the universities could get together & insist on strictly Aryan standards of taste. They could do much, in a quiet & subtle way, by cutting down the Semite percentage in faculty & student body alike. It is really amusing how we simple Western Europeans have allowed Orientals to trample over our brains for 1500 years & more - ever since we let them saddle us with the sickly Jew slave-religion of Christus instead of our own virile, healthy, Aryan polytheistic paganism. In this matter of religion, though, we are coming back - for the Jew-Christian tradition will be extinct in the Western world in two or three more generations, save for the nominal Catholic ritualism of the eternal rabble. We are getting back to the same Aryan philosophy & paganism which are naturally ours by right of blood & instinct.However - that isn't what we were discussing. As for literature - you'll find that the causes for contemporary change are many & complex, & that Semitisation is only one contributing influence. Let Great Britain, still largely un-Semitised, be your index of comparison. Scientific thought in England is pretty straight Anglo-Saxon stuff - Bertrand Russell, Aldous & Julian Huxley, H. G. Wells, Sir J. Jeans, Eddington, &c. &c. - but we find the forces of change emphatically at work. It was out of Ireland - where Jews are almost as happily scarce as snakes - that James Joyce's "Ulysses" came. The causes of our cultural changes, be they renaissances or decadences, are buried deep in complex historical & psychological phenomena. Our present convulsion - which is probably a renaissance in some phases & a decadence in others - is far too big an affair to be traced to any single origin. Roughly speaking, the thing is due to the effect of sudden new doses of knowledge, & of sensationally rapid changes in ways of living, travelling, earning money, & making things. Personally, I think we're losing more than we're gaining; for of all the current changes only the matter of added knowledge & intellectual liberation seems really good to me.Weiss & Harris write very interestingly - especially Harris, who is refreshingly intelligent despite a narrow aesthetic horizon. He'll expand with the years, I think.Rather cool autumn hereabouts, so that I haven't been outdoors as much as last fall. I don't envy you up in the Arctic regions! Best wishes - & I eagerly await your second article on literary transvaluations. Yr obt servtHPLP.S. Is the magazine you want The American Poetry Magazine, edited by Clara Catherine Prince, 358 Western Ave., Wauwautosa [sic], Wisconsin? The man who prints that is a friend of a friend of mine, & is thinking of founding a pedagogical publishing house. If he does, I shall probably be his chief reviser."Walter J. Coates was a fellow amateur journalist and small-time publisher introduced to Lovecraft, most likely, through W. Paul Cook (later to publish Lovecraft's The Shunned House). Coates' and Lovecraft's friendship developed over a mutual love for New England and poetry. Coates published a great amount of Lovecraft's writing in his regional magazine Driftwind, beginning with HPL's essay "The Materialist Today" in October 1926. Later, Coates would print a good amount of Lovecraft's poetry in the same periodical.The most striking content in this particular letter from Lovecraft to Coates is the former's bald articulation of an obvious anti-Semitism. In the midst of a letter discussing Emily Dickinson and socio-literary issues, and amongst discourse on writers such as Russell, Huxley, Wells, and Harris (most likely his friend Woodburn Harris, to whom he had probably been introduced by Coates) Lovecraft launches into a diatribe on a culture he sees as "Jew-ridden as a result of the control of publicity media by New York Semitic groups." Lovecraft's view of Jewish people is a most curious aspect of his personality. In many letters to friends and associates, Lovecraft espoused a similar opinion of Jewish people as he articulates here. Yet, he had numerous Jewish friends, and in his one marriage, betrothed himself to a Jewish woman, Sonia Greene. Debate rages over the depth and degree to which Lovecraft actually felt his own anti-Semitism, but there can be no doubt that "the gentleman of Providence" held a viewpoint that is quite unpopular and out of vogue in current times.Frank Belknap Long attempted to contextualize or rationalize Lovecraft's apparent racism in a letter to L. Sprague de Camp which appears in the latter's Lovecraft: A Biography. Whether or not one believes Long is his or her choice, for certainly enough evidence can be found from Lovecraft's own pen to support a charge of anti-Semitism. Still, Long attempts to come to the aid of an old friend: "This may be hard for you to believe. But during the entire NY period, in all the meetings and conversations I had with him, he never once displayed any actual hostility toward 'non-Nordics' - to use the term to which he was most addicted - in my presence, either in the subway or anywhere else...If one of them had been in distress he would have been the first to rush to his or her aid. Emotionally he was kindliness personified. It was all rhetorical - the kind of verbal overkill that so many of the hippie underground-press writers engaged in in the sixties. It was a sickness in him, if you wish - the verbalization part - but it wasn't characteristic of him in a deep, basic way."This letter is in remarkable shape, with usual mailing folds, one small crease at the bottom right corner, and a barely noticeable fingernail nick along the right edge. The page has toned slightly, but is overall in very fine condition. (S. T. Joshi, H. P. Lovecraft: A Life 427) From the Robert and Diane Yaspan Collection.



Seller States: KLARKASH-TON & MONSTRO LIGRIV Published by Gerry de la Ree - limited to 500 numbered copies Klarkash-ton and Monstro Ligriv were the alter-egos provided by H. P. Lovecraft or "Levah keraph" for his friends Clark Ashton Smith and Virgil Finlay. This publication by Gerry de la Ree reproduces the only known letters between CAS and Virgil Finlay, and interesting correspondence they are too, however brief! Only the letters from CAS are reprinted wherein he discusses his artistic methods and by his responses to V. F., we get some insight also into his working methods, philosophies and loves. H. P. Lovecraft is mentioned throughout the letters as his death just weeks before had left a terrific impression upon both men. Additionally there are six pages of poetry by CAS and two pages of poetry by VF, also photographs of both. Reproductions of previously unpublished artwork by VF is also present.A most worthwhile publication indeed!Thumb-smudge on the title-page as de la Ree hadn't allowed the ink to dry! else fine
H. P. Lovecraft and Willis Conover. Lovecraft at Last. Arlington: Carrollton-Clark, 1975.First edition, limited to 1,000 numbered copies. Quarto. 272 pages. Original red cloth with titles in gilt on a black label on the spine. Light water stains at the bottom edges of the board. Dust jacket slightly cockled at the bottom corners of the front and rear panel. With a facsimile of Lovecraft's 1936 revision of the article "Supernatural Horror in Literature", his last manuscript and the matching slipcase which holds all items, as issued. Very good. From the Robert and Diane Yaspan Collection.
H. P. Lovecraft. Four Horror First Editions By or About H.P.L., One Signed, including: Supernatural Horror in Literature. With an Introduction by August Derleth. New York: Ben Abramson, 1945. Octavo. 106 pages. Index. Black cloth with silver spine titles. Overall near fine. No dust jacket. [and:] H. P. Lovecraft and August Derleth. The Lurker at the Threshold. Sauk City, Wisconsin: Arkham House, 1945. Twelvemo. 196 pages. Black cloth with gilt spine titles. Overall, book and dust jacket are near fine with minor wear. [and:] H. P. Lovecraft and August Derleth. The Survivor and Others. Sauk City, Wisconsin: Arkham House, 1957. Inscribed and signed on the front endpaper by August Derleth. Twelvemo. 161 pages. Black cloth with gilt spine titles. Overall, book and dust jacket are fine. [and:] L. Sprague de Camp. Lovecraft: A Biography. Garden City, NY: Doubleday and Company, Inc., 1975. Octavo. 510 pages, untrimmed. Quarter black paper over red paper boards. Gilt spine titles. Bumps on corners of covers. Overall, book and dust jacket are near fine. From the Robert and Diane Yaspan Collection.
H. P. Lovecraft. Four Scarce Chapbooks, including: Memory, Ex Oblivione, What the Moon Brings, and Nyarlathotep. No place of publication listed: Miskatonic Edition, 1969-1970.Each a first edition, limited to 99 copies or less, numbered on a limitation page at back. Quarto. Not paginated.Each booklet has sewn wraps of varying colors and in their original envelopes as issued. Each is also accompanied by the original publisher's announcement letter. A complete set from The Prose Poems of H. P. Lovecraft series. From the Robert and Diane Yaspan Collection.
H. P. Lovecraft. Two Short Story and Poetry First Editions, including: Something About Cats and Other Pieces; Collected Poems Illustrated by Frank Utpatel. Sauk City, Wisconsin: Arkham House, 1949-1963. First hardcover editions. Two twelvemo volumes.Black cloth with gilt spine titles. Dust jackets. Overall, books and jackets are near fine to fine with minor wear. This lot includes two scarce volumes of collected Lovecraft prose and poetry. From the Robert and Diane Yaspan Collection.
H. P. Lovecraft. Five Horror Volumes, including: H. P. Lovecraft and August Derleth. The Lurker at the Threshold: A Tale of Terror by the Master of the Macabre. London: Museum Press [n.d.]. Twelvemo. 224 pages. Black cloth with silver spine titles. Some toning in the paper. Overall fine. Dust jacket is very good with moderate wear and some paper loss. [and:] The Case of Charles Dexter Ward. London: Victor Gollancz, 1951. Twelvemo. 160 pages. Red cloth with black spine titles. Overall near fine. Dust jacket is very good with some wear and clipped lower corner on front flap. [and:] The Haunter of the Dark and Other Tales of Terror. London: Victor Gollancz, 1951. Twelvemo. 303 pages. orange cloth with black spine titles. Minor fading on spine. Some toning in paper. Overall very good. Dust jacket is very good with some wear and paper loss. [and:] Supernatural Horror in Literature as Revised in 1936. Arlington, VA: Carrollton Clark, 1974. 4-page oversized, limited edition pamphlet. Number 593 of 2000. Quarto. Stapled paper folder. Overall fine. [and:] H. P. Lovecraft and Willis Conover. Lovecraft at Last. Arlington, VA: Carrollton Clark [1975]. Limited edition. Number 592 of 1000 copies. Quarto. 272 pages. Red cloth with gilt spine titles. Overall, book and dust jacket are fine. Slipcase is near fine. From the Robert and Diane Yaspan Collection.
H. P. Lovecraft. Three First-Edition Short Story Collections, including: H. P. Lovecraft and Divers Hands. The Dark Brotherhood and Other Pieces; H. P. Lovecraft and Others. Tales of the Cthulhu Mythos; H. P. Lovecraft and August Derleth. The Watchers Out of Time. Sauk City, Wisconsin: Arkham House, 1964-1974.




The Strange High House in the Mist:
And then to the sound of obscure harmonies there floated into that room from the deep all the dreams and memories of earth's sunken Mighty Ones. And golden flames played about weedy locks, so that Olney was dazzled as he did them homage. Trident-bearing Neptune was there, and sportive tritons and fantastic nereids, and upon dolphins' backs was balanced a vast crenulate shell wherein rode the gay and awful form of primal Nodens, Lord of the Great Abyss. And the conchs of the tritons gave weird blasts, and the nereids made strange sounds by striking on the grotesque resonant shells of unknown lurkers in black seacaves. Then hoary Nodens reached forth a wizened hand and helped Olney and his host into the vast shell, whereat the conchs and the gongs set up a wild and awesome clamor. And out into the limitless aether reeled that fabulous train, the noise of whose shouting was lost in the echoes of thunder.



{CAS copy directly above}

